- FAIR Iris I love, and hourly I die,
- But not for a lip, nor a languishing eye:
- She's fickle and false, and there we agree,
- For I am as false and as fickle as she.
- We neither believe what either can say;
- And, neither believing, we neither betray.
- 'Tis civil to swear, and say things of course;
- We mean not the taking for better or worse.
- When present, we love; when absent, agree:
- I think not of Iris, nor Iris of me.
- The legend of love no couple can find,
- So easy to part, or so equally join'd.
- John Dryden
- 1631-1700
- photo Sculpture by the Sea June 2011: grethe bachmann
Friday, July 8, 2011
Song From Amphitryon
Tuesday, June 28, 2011
The Lady of Shalott

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the field the road run by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly;
Down to tower'd Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers, " 'Tis the fairy
The Lady of Shalott."
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad
Goes by to tower'd Camelot;
And sometimes through the mirror blue
The knights come riding two and two.
She hath no loyal Knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot;
Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," said
The Lady of Shalott.
A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armor rung
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, burning bright,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And around about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance --
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right --
The leaves upon her falling light --
Thro' the noises of the night,
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And around the prow they read her name,
The Lady of Shalott.
Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
Alfred, Lord Tennyson
Loreena McKennitt:
http://www.youtube.com/watch?v=80-kp6RDl94
photo meadow Vilhelmsborg: gb
Saturday, June 18, 2011
Charlotte Brontë: LIFE
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| Ebeltoft Glasmuseum, Glass Art, Japan |
IFE, believe, is not a dream
So dark as sages say;
Oft a little morning rain
Foretells a pleasant day.
Sometimes there are clouds of gloom,
But these are transient all;
If the shower will make the roses bloom,
O why lament its fall?
Rapidly, merrily,
Life's sunny hours flit by,
Gratefully, cheerily
Enjoy them as they fly!
What though Death at times steps in,
And calls our Best away?
What though sorrow seems to win,
O'er hope, a heavy sway?
Yet Hope again elastic springs,
Unconquered, though she fell;
Still buoyant are her golden wings,
Still strong to bear us well.
Manfully, fearlessly,
The day of trial bear,
For gloriously, victoriously,
Can courage quell despair!- Charlotte Brontë (1816-1855)
- photo Ebeltoft Glasmuseum 2009: grethe bachmann
Thursday, June 2, 2011
Henry Wadsworth Longfellow

The Secret of the Sea
Ah, what pleasant visions haunt me,
As I gaze upon the sea!
All the old romantic legends,
All my dreams, come back to me.
Sails of silk and ropes of sandal,
Such as gleam in ancient lore;
And the singing of the sailors,
And the answer from the shore!
Most of all the Spanish ballad
Haunts me oft, and tarries long
Of the noble Count Arnaldos
And the sailor's mystic song.
Like the long waves on a sea-beach,
Where the sand as silver shines,
With a soft, monotonous cadence
Flow its unrhymed lyric lines: --
Telling how the Count Arnaldos
With his hawk upon his hand,
Saw a fair and stately galley
Steering onward to the land; --
How he heard the ancient helmsman
Chant a song so wild and clear,
That the sailing sea-bird slowly
Poised upon the mast to hear,
Till his soul was full of longing,
And he cried, with impulse strong, --
"Helmsman! for the love of heaven,
Teach me, too, that wondrous song!"
"Wouldst thou," -- so the helmsman answered,
"Learn the secret of the sea?
Only those who brave its dangers
Comprehend its mystery!"
In each sail that skims the horizon,
In each landward-blowing breeze,
I behold that stately galley,
Hear those mournful melodies;
Till my soul is full of longing
For the secret of the sea,
And the heart of the great ocean
Sends a thrilling pulse through me.
Henry Wadsworth Longfellow (1807-1882)
The Seaside and the Fireside
photo: grethe bachmann
Thursday, March 3, 2011
The Poetic Edda: Voluspa - The Wise Woman's Prophecy
Short information:
The Poetic Edda is a collection of Old Norse poems primarily preserved in the Icelandic mediaeval manuscript Codex Regius. Along with Snorri Sturluson's Prose Edda, the Poetic Edda is the most important extant source on Norse mythology and Germanic heroic legends, and from the early 19th century onwards has had a powerful influence on later Scandinavian literatures, not merely through the stories it contains but through the visionary force and dramatic quality of many of the poems. It has also become an inspiring model for many later innovations in poetic meter, particularly in the Nordic languages, offering many varied examples of terse, stress-based metrical schemes working without any final rhyme, and instead using allitterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the Poetic Edda include Vilhelm Ekelund, August Strindberg, Ezra Pound and Karin Boye.
I have chosen the last verses 44-66 from Voluspa ( The Wise Woman's Prophecy)
Voluspa
The Wise Woman's Prophecy
45.
46.
52.
53.
58.
60.
63.
64.
The Poetic Edda is a collection of Old Norse poems primarily preserved in the Icelandic mediaeval manuscript Codex Regius. Along with Snorri Sturluson's Prose Edda, the Poetic Edda is the most important extant source on Norse mythology and Germanic heroic legends, and from the early 19th century onwards has had a powerful influence on later Scandinavian literatures, not merely through the stories it contains but through the visionary force and dramatic quality of many of the poems. It has also become an inspiring model for many later innovations in poetic meter, particularly in the Nordic languages, offering many varied examples of terse, stress-based metrical schemes working without any final rhyme, and instead using allitterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the Poetic Edda include Vilhelm Ekelund, August Strindberg, Ezra Pound and Karin Boye.
I have chosen the last verses 44-66 from Voluspa ( The Wise Woman's Prophecy)
Especially these last verses are the ones I remember from school: " Now Garms howls loud before Gnipahellir" - this really gave me a thrill, a sinister image about this big howling wolf outside the cave of Hell gave me nightmares........
The words are still impressive, violent, gruesome, simple and grand - and in the final verses some optimism : " the unsowed fields wil bear riped fruit" and the wise woman says a couple of times:
" would you know yet more?" and she ends the prophecy by simply saying ".........now must I sink".
![]() |
| Norse Mythology, Yggdrasil, Silkeborg Museum. |
The Wise Woman's Prophecy
44.
Now Garm howls loud before Gnipahellir,
The fetters will burst and the wolf run free;
Much do I know, and more can see
Of the fate of the gods the mighty in fight.
The fetters will burst and the wolf run free;
Much do I know, and more can see
Of the fate of the gods the mighty in fight.
45.
Brothers shall fight and fell each other,
And sisters' sons shall kinship stain;
Hard is it on earth, with mighty whoredom;
Axe-time, sword-time, shields are sundered,
Wind-time, wolf-time, ere the world falls;
Nor ever shall men each other spare.
And sisters' sons shall kinship stain;
Hard is it on earth, with mighty whoredom;
Axe-time, sword-time, shields are sundered,
Wind-time, wolf-time, ere the world falls;
Nor ever shall men each other spare.
46.
Fast move the sons of Mim and fate
Is heard in the note of the Gjallarhorn
Loud blows Heimdall the horn is aloft,
In fear quake all who on Hel-roads are.
Is heard in the note of the Gjallarhorn
Loud blows Heimdall the horn is aloft,
In fear quake all who on Hel-roads are.
47.
Yggdrasil shakes, and shiver on high
The ancient limbs, and the giant is loose;
To the head of Mim does Othin give heed,
But the kinsman of surt shall slay him soon.
The ancient limbs, and the giant is loose;
To the head of Mim does Othin give heed,
But the kinsman of surt shall slay him soon.
48.
How fare the gods? how fare the elves?
All Jotunheim groans, the gods are at council;
Loud roar the dwarfs by the doors of stone,
The masters of the rocks: would you know yet more?
All Jotunheim groans, the gods are at council;
Loud roar the dwarfs by the doors of stone,
The masters of the rocks: would you know yet more?
49.
Now Garm howls loud before Gnipahellir,
The fetters will burst, and the wolf run free
Much do I know, and more can see
Of the fate of the gods the mighty in fight.
The fetters will burst, and the wolf run free
Much do I know, and more can see
Of the fate of the gods the mighty in fight.
50.
From the east comes Hrym with shield held high;
In giant-wrath does the serpen writhe;
O'er the waves he twists, and the tawny eagle
Gnaws corpses screaming; Naglfar is loose.
In giant-wrath does the serpen writhe;
O'er the waves he twists, and the tawny eagle
Gnaws corpses screaming; Naglfar is loose.
![]() |
| Norse Mythology, The serpent, Silkeborg Museum |
51.
O'er the sea from the north there sails a ship
With the people of Hel at the helm stands Loki;
After the wold| do wild men follow,
And with them the brother of Byleist goes.
With the people of Hel at the helm stands Loki;
After the wold| do wild men follow,
And with them the brother of Byleist goes.
52.
Surt fares from the south with the scourge of branches,
The sun of the battle-gods shone from his sword;
The crags are sundered, the giant-women sink,
The dead throng Hel-way and heaven is cloven.
The sun of the battle-gods shone from his sword;
The crags are sundered, the giant-women sink,
The dead throng Hel-way and heaven is cloven.
53.
Now comes to Hlin yet another hurt,
When Othin fares to fight with the wolf,
And Beli's fair slayer seeks out surt,
For there must fall the joy of Frigg.
When Othin fares to fight with the wolf,
And Beli's fair slayer seeks out surt,
For there must fall the joy of Frigg.
54.
Then comes Sigfather's mighty son,
Vithar, to fight with the foaming wold;
In the giant's son does he thrust his sword
Full to the heart: his father is avenged.
In the giant's son does he thrust his sword
Full to the heart: his father is avenged.
55.
Hither there comes the son of Hlothyn,
The bright snake gapes to heaven above;
. . . . . . . . . .
Against the serpent goes Othin's son.
The bright snake gapes to heaven above;
. . . . . . . . . .
Against the serpent goes Othin's son.
56.
In anger smites the warder of earth, --
Forth from their homes must all men flee;-
Nine paces fares the son of Fjorgyn,
And, slain by the serpent fearless he sinks.
Forth from their homes must all men flee;-
Nine paces fares the son of Fjorgyn,
And, slain by the serpent fearless he sinks.
![]() |
| - the hot stars from heaven are whirled... |
57.
The sun turns black, earth sinks in the sea,
The hot stars down from heaven are whirled;
Fierce grows the steam and the life-feeding flame,
Till fire leaps high about heaven itself.
The hot stars down from heaven are whirled;
Fierce grows the steam and the life-feeding flame,
Till fire leaps high about heaven itself.
58.
Now Garm howls loud before Gnipahellir,
The fetters will burst, and the wolf run free;
Much do I know, and more can see
Of the fate of gods the mighty in fight.
The fetters will burst, and the wolf run free;
Much do I know, and more can see
Of the fate of gods the mighty in fight.
![]() |
| - and the eagle flies... |
59.
Now do I see the earth anew
Rise all green from the waves again;
The cataracts fall, and the eagle flies,
And fish he catches beneath the cliffs.
Rise all green from the waves again;
The cataracts fall, and the eagle flies,
And fish he catches beneath the cliffs.
60.
The gods in Ithavoll meet together,
Of the terrible girdler of earth they talk,
And the mighty past they call to mind,
And the ancient runes of the Ruler of Gods.
Of the terrible girdler of earth they talk,
And the mighty past they call to mind,
And the ancient runes of the Ruler of Gods.
61.
In wondrous beauty once again
Shall the golden tables stand mid the grass,
Which the gods had owned in the days of old,
Shall the golden tables stand mid the grass,
Which the gods had owned in the days of old,
. . . . . . . . . .
![]() |
| - the fields unsowed bear riped fruit......... |
62.
Then fields unsowed bear ripened fruit,
All ills grow better, and Baldr comes back;
All ills grow better, and Baldr comes back;
Baldr and Hoth dwell in Hropt's battle-hall,
And the mighty gods: would you know yet more?
And the mighty gods: would you know yet more?
63.
Then Hönir wins the prophetic wand,
. . . . . . . . . .
And the sons of the brothers of Tveggi abide
In Vindheim now: would you know yet more?
. . . . . . . . . .
And the sons of the brothers of Tveggi abide
In Vindheim now: would you know yet more?
64.
More fair than the sun, a hall I see,
Roofed with gold, on Gimle it stands;
There shall the righteous rulers dwell,
And happiness ever there shall they have.
Roofed with gold, on Gimle it stands;
There shall the righteous rulers dwell,
And happiness ever there shall they have.
65.
There comes on high, all power to hold,
A mighty lord, all lands he rules.
("Rule he orders, and rights he fixes,
Laws he ordains that ever shall live.")
A mighty lord, all lands he rules.
("Rule he orders, and rights he fixes,
Laws he ordains that ever shall live.")
66.
From below the dragon dark comes forth,
Nithhogg flying from Nithafjoll;
The bodies of men on his wings he bears,
The serpent bright: but now must I sink.
The bodies of men on his wings he bears,
The serpent bright: but now must I sink.
After this prophecy comes Hávamál - The Ballad of the High One
photo: grethe bachmann
photo: stig bachmann nielsen, Naturplan.
Tuesday, February 22, 2011
Arthur Rimbaud: Eternity
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| early morning sun by the sea |
Eternity
L'Éternité
1 ( From: Fetes de la Patience)
It’s found we see.
What? – Eternity.
It’s the sun, free
To flow with the sea.
Soul on watch
Let whispers confess
Of the empty night
Of the day’s excess.
From the mortal weal
From the common urge
Here you diverge
To fly as you feel.
Since from you alone,
Embers of satin,
Duty breathes down
With no ‘at last’ spoken.
There’s nothing of hope,
No entreaty here.
Science and patience,
Torture is real.
It’s found we see.
What? – Eternity.
It’s the sun, free
To flow with the sea.
2. (From: Une Saison en Enfer)
It’s found we see!
What? – Eternity.
It’s the sun, mingled
With the sea.
My immortal soul
Keep your vow
Despite empty night
And the day’s glow.
So you’ll diverge
From the mortal weal
From the common urge,
And fly as you feel…
– No hope, never,
No entreaty here.
Science and patience,
Torture is real.
No more tomorrow,
Embers of satin,
Your own ardour
The only duty.
It’s found we see.
– What? – Eternity.
It’s the sun, mingled
With the sea.
Arthur Rimbaud
1854-1891
photo Moesgård: gb
Thursday, February 3, 2011
ANNABEL LEE
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE.
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me -
Yes! - that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling -my darling - my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
Edgar Allan Poe
1809-49
photo the North Sea: gb
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