Heinrich Heine - Lorelei

                                          


The German poet Heinrich Heine (1799-1856) wrote some lovely poetry  -  it is almost impossible to translate. The Loreley was later followed by a beautiful melody, which is rather wellknown.
I have added two translations into English , so you can see how varied they are.

The Heinrich Heine poem is a little New Year's greeting to Michael from Liechtenstein, who's one of the nicest people I have met on the internet.  His favorite German poet is Heinrich Heine.








Heinrich Heine
Lorelei (1822)
 
Ich weiss nicht was soll es bedeuten,
Dass ich so traurig bin,
Ein Märchen aus uralten Zeiten,
Das kommt mir nicht aus dem Sinn.
Die Luft is kühl und es dunkelt,
Und ruhig fliesst der Rhein;
Der Gipfel des Berges funkelt,
Im Abendsonnenschein.

Die schönste Jungfrau sitzet
Dort oben wunderbar,
Ihr gold'nes Geschmeide blitzet,
Sie kämmt ihr goldenes Haar,
Sie kämmt es mit goldenem Kamme,
Und singt ein Lied dabei;
Das hat eine wundersame,
Gewalt'ge Melodei.

Den Schiffer im kleinen Schiffe,
Ergreift es mit wildem Weh;
Er schaut nicht die Felsenriffe,
Er schaut nur hinauf in die Höh'.
Ich glaube, die Wellen verschlingen
Am Ende Schiffer und Kahn,
Und das hat mit ihrem Singen
Die Loreley getan.


 


















Loreley 
translated by Tr. Frank 1998

I cannot determine the meaning
Of sorrow that fills my breast:
A fable of old, through it streaming,
Allows my mind no rest.
The air is cool in the gloaming
And gently flows the Rhine.
The crest of the mountain is gleaming
In fading rays of sunshine.

The loveliest maiden is sitting
Up there, so wondrously fair;
Her golden jewelry is glist'ning;
She combs her golden hair.
She combs with a golden comb, preening,
And sings a song, passing time.
It has a most wondrous, appealing
And pow'rful melodic rhyme.

The boatman aboard his small skiff, -
Enraptured with a wild ache,
Has no eye for the jagged cliff, -
His thoughts on the heights fear forsake.
I think that the waves will devour
Both boat and man, by and by,
And that, with her dulcet-voiced power
Was done by the Loreley.


Loreley
New translation by A.Z. Foreman

I know not if there is a reason
Why I am so sad at heart.
A legend of bygone ages
Haunts me and will not depart.

The air is cool under nightfall.
The calm Rhine courses its way.
The peak of the mountain is sparkling
With evening's final ray.

The fairest of maidens is sitting
Unwittingly wondrous up there,
Her golden jewels are shining,
She's combing her golden hair.

The comb she holds is golden,
She sings a song as well
Whose melody binds an enthralling
And overpowering spell.

In his little boat, the boatman
Is seized with a savage woe,
He'd rather look up at the mountain
Than down at the rocks below.

I think that the waves will devour
The boatman and boat as one;
And this by her song's sheer power
Fair Loreley has done.

Images from Kunst und Mystic 1933.

Rabindranath Tagore

 



















Poems on Time

The butterfly counts not months but moments,
and has time enough.

Time is a wealth of change,
but the clock in its parody makes it mere change and no wealth.

Let your life lightly dance on the edges of Time
like dew on the tip of a leaf.


Rabindranath Tagore  (1861-1941)


photo:gb

Haiku by Matsuo Basho

I would sleep,
borrowing the sleeve of the scarecrow.
Midnight frost. 
 
Karite nemu
kakashi no sode ya
yowa no shimo 

Matsuo Basho (1644-1694)


foto: gb

Edgar Allan Poe

The Lake 

    In spring of youth it was my lot
       To haunt of the wide world a spot
       The which I could not love the less-
       So lovely was the loneliness
       Of a wild lake, with black rock bound,
       And the tall pines that towered around.

       But when the Night had thrown her pall
       Upon that spot, as upon all,
       And the mystic wind went by
       Murmuring in melody-
       Then- ah then I would awake
       To the terror of the lone lake.

       Yet that terror was not fright,
       But a tremulous delight-
       A feeling not the jewelled mine
       Could teach or bribe me to define-
       Nor Love- although the Love were thine.

       Death was in that poisonous wave,
       And in its gulf a fitting grave
       For him who thence could solace bring
       To his lone imagining-
       Whose solitary soul could make
       An Eden of that dim lake.

Edgar Allan Poe (  1809-49)

photo:gb 

Der er ingenting i verden så stille som sne...............

Skovridervej, Århus

A sweet little Danish song poem about snow from 1896 - it can be said so softly that you almost feel the snowflakes upon your face.

Listen to the song on Bambi:


Der er ingenting i verden så stille som sne,
når den sagte gennem luften daler,
dæmper dine skridt,
tysser, tysser blidt på de stemmer,
som for højlydt taler.

Der er ingenting i verden af en renhed som sne,
svanedun fra himlens hvide vinger.
På din hånd et fnug
er som tåredug.
Hvide tanker tyst i dans sig svinger.

Der er ingenting i verden, der kan mildne som sne.
Tys, du lytter, til det tavse klinger.
O, så fin en klang,
sølverklokkesang
inderst inde i dit hjerte ringer.

Helge Rode, 1870-1937 

photo:gb

Les Fleurs Du Mal - Charles Baudelaire

The Flowers of Evil

SPLEEN (II)


Souvenirs?
More than if I had lived a thousand years!

No chest of drawers crammed with documents,
love-letters, wedding-invitations, wills,
a lock of someone's hair rolled up in a deed,
hides so many secrets as my brain.
This branching catacombs, this pyramid
contains more corpses than the potter's field:
I am a graveyard that the moon abhors,
where long worms like regrets come out to feed
most ravenously on my dearest dead.
I am an old boudoir where a rack of gowns,
perfumed by withered roses, rots to dust;
where only faint pastels and pale Bouchers
inhale the scent of long-unstoppered flasks.


Nothing is slower than the limping days
when under the heavy weather of the years
Boredom, the fruit of glum indifference,
gains the dimension of eternity . . .
Hereafter, mortal clay, you are no more
than a rock encircled by a nameless dread,
an ancient sphinx omitted from the map,
forgotten by the world, and whose fierce moods
sing only to the rays of setting suns.

 (Les Fleurs du Mal in a translation by Richard Howard 1982, The Harvester Press Limited, published 1987 Picador Classics, London.)


Les Fleurs Du Mal

SPLEEN  (II)

J'ai plus de souvenirs que si j'avais mille ans.

Un gros meuble à tiroirs encombré de bilans,
De vers, de billets doux, de procès, de romances,
Avec de lourds cheveux roulés dans des quittances,
Cache moins de secrets que mon triste cerveau.
C'est une pyramide, un immense caveau,
Qui contient plus de morts que la fosse commune.
- Je suis un cimetière abhorré de la lune,
Où comme des remords se traînent de longs vers
Qui s'acharnent toujours sur mes morts les plus chers.
Je suis un vieux boudoir plein de roses fanées,
Où gît tout un fouillis de modes surannées,
Où les pastels plaintifs et les pâles Boucher,
Seuls, respirent l'odeur d'un flacon débouché.

Rien n'égale en longueur les boiteuses journées,
Quand sous les lourds flocons des neigeuses années,
L'ennui, fruit de la morne incuriosité,
Prend les proportions de l'immortalité,
- Désormais tu n'es plus, ô matière vivante!
Qu'un granit entouré d'une vague épouvante,
Assoupi dans le fond d'un Saharah brumeux;
Un vieux sphinx ignoré du monde insoucieux,
Oublié sur la carte, et dont l'humeur farouche
Ne chante qu'aux rayons du soleil qui se couche.

Charles Baudelaire (1821-1867)



photo Pokeweed 2011: grethe bachmann

Everything - Anna Akhmátova

Everything

Everything's looted, betrayed and traded,
black death’s wing’s overhead.

Everything’s eaten by hunger, unsated,

so why does a light shine ahead?

By day, a mysterious wood, near the town,

breathes out cherry, a cherry perfume.

By night, on July’s sky, deep, and transparent,

new constellations are thrown.

And something miraculous will come

close to the darkness and ruin,

something no-one, no-one, has known,

though we’ve longed for it since we were children.

 Anna Akhmátova, Russia (1889-1966)

 

 

photo: gb